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MySpace: The Social Media Site for Our Time

MySpace

We do not need more social media. But we need MySpace back.

Why? Because we need less social media.

We are all exhausted with the current social media landscape. The apps are all clones of each other, and they all kind of suck. Instagram has sucked for years. Facebook isn’t even worth mentioning. TikTok is too good, which is a problem because it’s nearly impossible to put down.

Every social media platform is trying to be everything, and in the process, they are losing their novelty and becoming less useful, more harmful, and comparatively mediocre.

MySpace was the perfect passive social media site. It was like AIM but grown up a little. It died before it lived long enough to become the villain.

MySpace was basically like creating a personal homepage. You could customize the colors and designs, have your favorite track playing on your page, post status updates, talk with pals by leaving comments, and, most notably, rank your Top 8 friends.

You could also personalize your profile page using rudimentary knowledge of HTML and CSS. The platform taught a generation how to code.

That was part of the charm of MySpace. It allowed users to express themselves and their interests by creating a singular space that was unique to them. It was made for people and not brand advertisers.

Now, I think the winds of change are blowing back in MySpace’s direction. BeReal took off because it promised to be a social media site designed to make you do less curating. What if we had a curated social media site designed to do less?

Instagram recently launched the ability to add songs to notes and posts. That’s a cheap copy of a key MySpace feature: the ability to add a song to your profile page to match your mood.

Insider recently published research that suggests social media as we knew it is dying. Regular people are posting less while still checking their feeds. Influencers post a ton, but they’re basically just brands. Normal folks want to log in, check things, and log off. We’re already doing that with sites not designed for that. That was pretty much MySpace’s entire purpose.

So, why not MySpace? Why can’t we bring it back? Who says you can’t go home?

It is the perfect social media site for 2023. It is a snapshot of your life. You update it as you please, but it doesn’t require constant attention and maintenance. If you log off for a two-week vacation, things would basically be as you left it. There wouldn’t 15 different trends you missed. You wouldn’t have to worry about gaining or losing followers because — gasp — followers weren’t really a thing.

You had the social hierarchy associated with your Top 8, and that was all you needed. The platform was far more focused on making a cool page and talking to your actual friends.

The real reason MySpace hasn’t been revived is because the tech giants can’t monetize it. But honestly, when has that ever stopped anything in tech?

This isn’t just a rosy bit of nostalgia from me. I am the person, after all, who once dug up the remnants of his old MySpace out of dumb curiosity.

https://x.com/somefinetweets/status/1696936059773571346?s=20

Beyond the nostalgia, I do truly think there’s a real opportunity to shift how we interact with social media moving forward. MySpace does still exist in some form, so maybe it’s a tall ask to have it rebrand into some 2023 version of its old self. Yet, the revived MySpace doesn’t have to be MySpace. If everyone suddenly joined NoSpace, effectively a MySpace dupe for Gen Z, that would be just as radical.

These days, people crave a more intimate online experience, and MySpace was just that.

Whatever happens, I’m certain about one thing. We have to keep the Top 8. Sure, it seems petty to rank your friends. But that was exactly what made MySpace so personal: The stakes were so low the only drama was figuring out who were the eight friends you considered closest.

Here are some additional thoughts on why MySpace could be the social media site for our time:

  • MySpace was a place where people could be themselves. There was less pressure to curate your image or to be perfect.
  • MySpace was a place to connect with friends and family. It was less about following celebrities or influencers.
  • MySpace was a place to express yourself creatively. You could customize your profile page and add your own music and videos.

I believe that there is a growing desire for a social media platform that is more personal, less curated, and more creative. MySpace could be the platform to fill that need.

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Social Tech

Meta Pulls Instagram Image-Generation Tool After Privacy Backlash

By George Mensah 4 min read

Meta said Friday it is shutting down an AI image-generation feature it launched only days earlier, after the tool drew sharp criticism over privacy concerns, including a formal objection from a Hollywood union.

“Our intent was to provide a useful creative tool and to give people control over whether their public content could be referenced in this way,” Meta said in a statement. “We’ve heard the feedback that this feature missed the mark, so it’s no longer available.”

A Feature Built on Public Photos

Meta, which owns Facebook and Instagram, introduced the tool, called Muse Image, on Tuesday. It marked the company’s first image-generation model to come out of Meta Superintelligence Labs. The feature was built into the Meta AI chatbot and let users generate images using photos as input, then edit the results directly through sketches drawn on top of the generated image.

The trouble was where those input photos could come from. Muse Image let users generate images using content pulled from public Instagram accounts, meaning a person’s public photos could be fed into the tool without that person taking any action to allow it. The feature also came switched on for users by default, rather than requiring anyone to opt in before their content could be used this way.

That combination, automatic activation plus access to public account content, is what triggered the backlash.

Backlash Builds Fast

Hannah Einbinder, the Emmy-winning actor known for her role on “Hacks,” posted criticism of the feature on Instagram, telling followers it had been turned on automatically and urging them to switch it off.

SAG-AFTRA, the union representing actors and other media professionals, went further. On Thursday, the union publicly urged its members and other Instagram users to opt out of the feature entirely.

“Anything other than a clear and conspicuous opt-in for these types of uses of Instagram users’ images is unacceptable, and an utter miscalculation of public sentiment regarding the obvious dangers and harms inherent in such use,” SAG-AFTRA said in its statement.

The union’s objection centered on a concern that has followed AI image tools broadly: the risk that photos of real people can be used to create digital replicas or likenesses without their direct consent, even when the source material was already public. For an organization representing performers, whose faces and images carry professional and financial value, an opt-out model rather than an opt-in one raised immediate red flags.

Meta Reverses Course

Meta’s decision to pull the feature came just three days after its launch, a fast reversal for a company that had positioned Muse Image as a flagship product from its newly formed superintelligence research group. The company did not detail how many users had engaged with the tool before shutting it down, nor did it specify whether it plans to relaunch a modified version with different consent controls in the future.

SAG-AFTRA welcomed the reversal once it was announced.

“With the dangers of nonconsensual digital replicas well known to all, a feature that encouraged that behavior is unwise. We appreciate its discontinuance. It is the responsible thing to do,” a union spokesperson said.

A Pattern Tech Companies Keep Repeating

The episode fits a pattern that has played out repeatedly as tech companies race to ship generative AI features. A company builds a tool that draws on user content by default, faces immediate criticism once users realize their material is included without a clear opt-in step, and then pulls or modifies the feature within days.

What makes this case notable is the source of the pushback. SAG-AFTRA’s involvement signals that concerns about AI and digital likeness now extend well beyond Hollywood contract negotiations and into how ordinary Instagram users’ public photos get treated by AI systems. The union spent much of 2023 and 2024 fighting for contract protections against AI-generated performances; this dispute shows those same consent principles being applied to a mainstream consumer product with no direct connection to film or television production.

For Meta, the incident lands at a sensitive moment. The company has been investing heavily in its Superintelligence Labs division and pushing to establish itself as a serious competitor in AI image and video generation, an area where it has trailed competitors like OpenAI and Google. Muse Image was meant to show that investment paying off. Instead, its rollout became a case study in what happens when a company treats public content as fair game for AI training or generation without building in a clear, upfront choice for the people whose photos are involved.

Meta has not said whether Muse Image will return in a different form, or whether the company plans to build opt-in consent mechanisms into future features drawing on user or public content. The company’s statement framed the shutdown as a response to feedback rather than an admission that the underlying design was flawed, language that leaves open the possibility of a revised version down the line.

For now, the reversal leaves Meta without an image-generation feature it had promoted as a signature launch just days earlier, and it hands SAG-AFTRA a concrete example to point to in ongoing arguments about how tech companies should handle consent when AI tools touch real people’s images.

Social Tech

Elon Musk would like you to be aware that Sam Altman received a refund from Tesla

By George Mensah 4 min read

A long-standing feud between Elon Musk and Sam Altman, co-founders turned bitter rivals at the helm of OpenAI, has just erupted anew on Musk’s own social media platform, X, formerly known as Twitter. What started as a lighthearted jab over a delayed Tesla Roadster soon turned into another public clash between two of Silicon Valley’s most influential-and outspoken-tech leaders.

Altman’s “Tale in Three Acts” Strikes a Chord

The latest chapter in the saga began when OpenAI CEO Sam Altman posted what he called “a tale in three acts,” on X. It contained screenshots of his 2018 reservation for a Tesla Roadster, a follow-up email requesting a refund on his $50,000 deposit, and an automated bounce-back message.

“I really was excited for the car!” Altman wrote. “And I understand delays. But 7.5 years has felt like a long time to wait.”

Altman was likely responding to Tesla’s second-generation Roadster, first unveiled in November 2017 as the fastest production car in history. The highly anticipated car has faced years of delays in production; Musk recently promised a new version of it would arrive by the end of 2025.

Musk Fires Back: “You Stole a Nonprofit”

Musk didn’t waste any time going after Altman, responding to the post with the lacerating remark:

“You stole a nonprofit.”

The comment references Musk’s long-standing accusation that Altman “hijacked” OpenAI-which was originally founded in 2015 as a nonprofit research organization dedicated to safe and open AI development. Musk left the company in 2018, later criticizing its transition to a “capped-profit” model under the structure of OpenAI Global LLC, where the nonprofit board still retains control of the for-profit subsidiary.

In March 2024, Musk even sued OpenAI and Altman on grounds that the company had abandoned its founding mission by becoming too entwined with Microsoft and prioritizing profits over transparency. Although a court later dismissed the lawsuit, Musk has continued to publicly accuse Altman of betraying OpenAI’s original ideals.

Altman Pushes Back at Musk’s Claims

Never one to back down from a counterpunch, Altman fired back indirectly at the Tesla CEO’s accusations, implying Musk was hardly in a position to talk about fairness or competition.

He referred to Musk’s AI startup, xAI, which recently sued OpenAI and Apple, alleging that they colluded to hold down competition in the AI sector. Altman called Musk’s lawsuit “remarkable,” adding:

“Given what I heard alleged that Elon does to manipulate X to benefit himself and his own companies – and harm his competitors and people he doesn’t like.”

The comment points to increasing friction between the two entrepreneurs, who now spearhead competing efforts in artificial intelligence: Altman with OpenAI’s ChatGPT and Musk with xAI’s Grok chatbot, which is integrated into X Premium.

The Refund Controversy — and Musk’s Final Word

While Altman’s Tesla refund rekindled the feud, Musk did not waste any time in attempting to dial it back. Again responding on X, he wrote:

“And you forgot to say act 4, when that got resolved and you got a refund in less than 24 hours. But that’s your nature.”

Musk’s response suggested that Altman’s thread omitted important context-in this case, that Tesla had resolved the issue swiftly. Yet the exchange reflects how even a small customer complaint can become the latest front in a significantly broader personal and professional feud.

A Tech Feud Years in the Making

Musk and Altman have been at odds for many years. The two men were close collaborators when OpenAI was founded in 2015, united by a shared concern about the potential dangers of unchecked AI. However, philosophical and organizational disagreements soon emerged.

Musk reportedly wanted to roll OpenAI into Tesla’s AI team, a plan Altman and the board resisted. Musk left in 2018, citing conflicts of interest with Tesla’s self-driving AI effort. Since then, the relationship between the two has devolved into one of Silicon Valley’s most public rivalries.

Their differences reflect a deeper split in the tech world: Musk envisions AI as a tool best developed under private control with maximum safety constraints, while Altman is advocating for a more open and collaborative ecosystem — though his own company’s growing ties to Microsoft have raised eyebrows.

Rival Visions for the Future of AI

Today, the two men are at the helm of rival AI empires. xAI, Musk’s company, aims to create what he calls “truth-seeking AI” that avoids political or corporate bias; meanwhile, OpenAI, Altman’s company, continues to dominate the consumer space with ChatGPT, now integrated into Microsoft’s productivity software.

For all the public jabs, both men are racing toward the same goal: building the world’s most advanced artificial intelligence models. Their feud has become emblematic of the broader power struggle shaping the next era of technology, where ideology and business strategy intertwine with personal ego.

Conclusion: From Partners to Rivals What started as a friendly partnership to build safe, open artificial intelligence turned into one of the most bitter rivalries in modern tech. Musk and Altman’s latest exchange – over a car refund – is only the latest chapter in a saga emblematic of the cutthroat competition that lies at the heart of the AI revolution. Both men are forging the future of technology in their own ways, but their running clashes remind us: here in Silicon Valley, innovation and rivalry often run side by side.

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