Netflix’s popular teen comedy, Sex Education, is currently the most-watched series on the platform. However, there’s another new show, the anime series Kengan Ashura, which is also trending and could compete for the spot.
Kengan Ashura is based on a manga series of the same name and is set in a world where corporations settle disputes through gladiatorial combat. The series follows the story of Ohma Tokita, a mysterious fighter who enters the Kengan Annihilation Tournament to determine the strongest fighter in the world.
The first season of Kengan Ashura was released in 2019 and was met with positive reviews from critics and audiences alike. The second season was released in two parts, with the first part premiering in September 2023 and the second part scheduled to premiere in 2024.
Kengan Ashura has a number of things going for it that could make it a breakout hit on Netflix. First, the series is based on a popular manga series with a dedicated fan base. Second, the series features high-quality animation and exciting action sequences. Third, the series has a diverse cast of characters and a compelling story.
If Kengan Ashura can maintain its quality and build on its momentum, it could definitely challenge Sex Education for the top spot on Netflix.
Why is Kengan Ashura so popular?
There are a number of reasons why Kengan Ashura is so popular. First, the series features high-quality animation and exciting action sequences. The fights are well-choreographed and visually stunning.
Second, the series has a diverse cast of characters and a compelling story. Ohma Tokita is a likable and relatable protagonist, and the supporting cast is well-developed and interesting. The story is also well-paced and full of twists and turns.
Third, Kengan Ashura explores a number of interesting themes, such as the nature of violence, the power of corporations, and the importance of friendship. The series is not afraid to tackle difficult subjects, and it does so in a thoughtful and engaging way.
Conclusion
Kengan Ashura is a well-made and entertaining anime series that is sure to appeal to a wide range of viewers. If you’re looking for a new series to watch on Netflix, I highly recommend checking it out.
Microsoft has unveiled two Gears of War: E-Day Limited Edition Xbox controllers timed to the October 6th release of “Gears of War: E-Day,” and the reveal has split gamers between admiration for the design and frustration over the price.
The controller features 3D sculpted grips styled after cracked, crackling volcanic rock, paired with a bright red center panel bearing the Gears of War logo. Transparent red buttons and a matching D-pad reinforce the aggressive look, while leather-like material on the back and side grips is meant to add comfort during extended play sessions. Microsoft is also selling a matching E-Day version through Xbox Design Lab, along with a coordinating E-Day 8BitDo Ultimate charging dock. The controllers themselves carry a rated battery life of 40 hours.
Pre-orders for the Gears of War: E-Day Limited Edition controller are open now on Microsoft’s website for Xbox Series X|S, PC, and cloud gaming. The release date is set for September 30th, 2026, ahead of the game’s own launch.
Fans praise the look, question the cost
Early reaction to the controller’s design has been largely positive. One fan called it “what beauty, what art” in a post on X. A Reddit user offered similar enthusiasm, writing that they weren’t expecting to buy another Xbox controller before seeing this one. Across social media, the visual design of the controller has drawn little criticism. The disagreement centers entirely on what Microsoft is charging for it.
The controller is priced at $89.99 for pre-order, a $25 jump from the standard $64.99 price of a normal Xbox controller. That gap has driven much of the pushback online. One Reddit user reacted to the price by comparing it unfavorably to Microsoft’s Forza and Doom-themed controllers, calling the cost “insane” for a limited edition release. Another commenter argued the controller was “purely meant for collectors” and predicted most players would skip it.
Part of the frustration stems from how gamers weigh the controller’s long-term value against its price. Critics online have pointed out that $89.99 is a steep amount to spend on hardware that could develop stick drift or otherwise wear down within a few years of regular use, the same durability concerns that affect standard controllers regardless of price point.
Microsoft’s pricing for the Gears of War: E-Day controller isn’t without precedent. The company’s Forza Horizon 6 Limited Edition controller launched at the same $89.99 price point, suggesting Microsoft has settled on that figure as its standard rate for premium, game-branded controllers rather than pricing this release as an outlier.
Players unwilling to pay the premium do have other options. A range of third-party Xbox controllers offer lower price points for those looking to skip the licensed design in favor of standard functionality, though none will carry the Gears of War: E-Day branding or matching accessories Microsoft built specifically around the game’s October launch.
Whether the backlash affects actual sales remains to be seen. Limited-edition, game-branded controllers tend to draw interest primarily from collectors and dedicated fans of the franchise rather than the broader Xbox player base, a pattern that held true for previous releases like the Forza Horizon 6 edition despite similar complaints about pricing at launch. With pre-orders already live and the September 30th release date approaching, gamers weighing whether to buy will have several weeks to decide if the design justifies the added cost.
Christopher Nolan’s adaptation of The Odyssey opens in theaters this weekend, with early projections putting its opening haul between $80 million and $100 million over just a few days. Audiences are turning out to see how Nolan applies his signature filmmaking techniques to Homer’s epic. At the same time, another studio is trying to draft off that excitement to promote a very different take on the same story.
On Tuesday, film studio Fountain 0 announced an AI-generated version of The Odyssey titled “Odysseus: The Fall,” set to become available for digital rental or purchase later this summer. The project comes from director Ash Koosha, who previously worked with Fountain 0 on “Dreams of Violets,” an AI-generated docudrama about civil unrest and state violence in Iran between late 2025 and early 2026. That earlier film reportedly cost around $2,000 to produce. “Odysseus: The Fall” carries a similarly small budget, described as being in the “mid-five figures,” compared with the roughly $250 million Nolan spent making his version.
AI tools built the film’s look
The trailer for “Odysseus: The Fall” shows what Koosha built using Kling’s AI video generator and Google’s Nano Banana tool. The shots run short, and the visuals carry the glossy, slightly artificial look common to AI-generated video. Koosha modeled the character of Odysseus after his own likeness and voices every character in the film himself. Even so, the figures move and speak with a stiffness that makes them read as clearly AI-made rather than human performances.
Fountain 0’s timing makes its intentions fairly clear. Releasing an AI-made Odyssey adaptation the same summer as Nolan’s big-budget version gives the company a way to market its production technology while offering what amounts to a low-cost alternative to a film people are already anticipating. Fountain 0’s executive chairman, Tom Rogers, told Variety that the project targets people who might not “like going to the movie theaters, but have a real interest in AI and what’s going on.”
That framing positions “Odysseus: The Fall” less as an independent artistic take on Homer’s story and more as a demonstration of Fountain 0’s AI production process.
A comparison Rogers seems eager to invite
Rogers went further, suggesting the release of his company’s film could actually drive interest in Nolan’s version. “We actually think, when our film is released, that it will be a catalyst for a lot of people who might not otherwise have seen the Odyssey to hopefully go see it, so they can compare the state of the highest state of human filmmaking achievement, which I truly expect the reviews to suggest Nolan’s film is, with what the top state of the art is in AI filmmaking today,” he said.
Rogers stopped short of claiming his film could compete with Nolan’s on quality. Instead, he framed Fountain 0’s work as representative of what AI-driven filmmaking can currently achieve. Whether that claim holds up is a separate question. “Dreams of Violets” plays like a sequence of individually generated clips strung together, and it’s difficult to imagine audiences who pay for movie tickets finding that comparison flattering to Fountain 0.
What Nolan’s film has that AI hasn’t matched
Nolan’s “The Odyssey” reflects the work of hundreds of people collaborating across departments, from cinematography to production design to sound. Fountain 0 has emphasized that Koosha and his brother Pooya handled most of the work on “Odysseus: The Fall” themselves, treating that as a selling point. But a small production team isn’t typically what draws audiences into theaters.
There was at least an argument, however debatable, that “Dreams of Violets” served a documentary purpose by drawing attention to human rights violations in Iran. “Odysseus: The Fall” doesn’t have that same justification. It reads more as a marketing exercise for Fountain 0’s AI capabilities than an attempt to say something new about Homer’s story.
Part of a wider pattern
Other AI ventures have made similar moves recently. ElevenLabs released an AI-narrated audiobook version of “The Odyssey” using a synthetic voice modeled on Michael Caine. Separately, studio and startup Particle6 has spent months promoting “Tilly Norwood,” an AI-generated performer it describes as an “AI actress,” and recently announced plans for a feature-length film built around the character.
Fountain 0 and Particle6 appear to share a strategy: generate attention through novelty and controversy first, then hope that visibility translates into acceptance as legitimate entertainment products. What both companies seem to miss is that audience enthusiasm for a film like Nolan’s “The Odyssey” comes specifically from the collaborative, human-driven process behind it, the thing their AI-generated alternatives are explicitly designed to skip.
Human filmmaking still drives the conversation
The mix of strong praise and sharp criticism directed at Nolan’s film reflects his skill at making work that provokes real emotional reactions from audiences. Those reactions fuel the discussions and debates that get people buying tickets, which in turn keeps studios like Universal financially invested in big theatrical releases.
Generative AI’s advocates have promised for years that the technology will reshape entertainment. So far, none of their releases have generated anything close to the anticipation surrounding Nolan’s adaptation. Based on what Fountain 0 and similar companies have shown, that gap isn’t likely to close through marketing stunts timed to piggyback on someone else’s release.
